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GeomArt Livres en pierre - Un enseignement... | 6 Mai 2012
Un marbre du Maroc magnifique, qui ressemble à une sorte d'ancienne carte du monde (mais quel monde?) quand il est poli.
« Thot » « Cela est un enseignement » Livre aux pages polies, brillantes, peut-être un peu miroir. Des pages pleines de vie, de mouvement, de matières.
Marbre du Maroc, feuille d'or.
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|  Livres en pierre - le 1er | 26 Mars 2012
"Ce qui existe, c'est l'éternité et la pérennité. L'éternité c'est le jour,la pérennité la nuit."
Première oeuvre d'une série. Marbre de carrare, feuille d'or.
Merci Françoise d'avoir partagé ton savoir et ton temps. |
|   Laques et structures18 Mars 2012
Quand la transparence rencontre la forme. |
| |  Nouvelles laques | 15 Mars 2012
Je travaille depuis un an à mettre au point une nouvelle technique de laque. Elle devrait se finaliser dans l'année. |
|  Galerie d'encres | 28 Décembre 2011 Beaucoup d'encres sur papier de riz réalisées entre mi et fin 2011. Et une nouvelle page Galerie-encres.
| | Galerie d'encres |
|  Biennale de l'écriture | 30 Avril 2011 Je serai présent à la 3e Biennale de l'Ecriture: elle se tiendra du 6 ma i a u 10 ma i 2 011 à S a i n t - R om a i n - l e - P u y (Loire)
Spécialisée dans les thèmes de la calligraphie, de l'enluminure, de l'iconographie, vous y trouverez aussi:
> Calligraphie persane > Calligraphie berbère (Tifinagh) > Calligraphie gothique > Ecriture hiéroglyphique > Ecriture des blasons > Ecriture braille > Enlunimure > Iconographie > Ecriture sur oeuf > Fabrication du papier > Lithographie > Sculpture > Langage des signes > Langage SMS > Bestiaire en texte > Conte et calligraphie > ...
Le thème de cette année: le Bestiaire.
La biennale sera située dans la zone du complexe sportif Paul Marcoux et de la salle des fêtes Gérard Clavelloux attenante (GPS 45°33'11''N / 04°07'45''E) ainsi qu'au Prieuré à Saint-Romain-le-Puy (Loire).
J'y présenterai la calligraphie minérale: pièces gravées, galets, sculptures, plaques. Et je graverai divers motifs durant ces 4 jours.
| | Programme de la biennale (attention, 6Mb) |
|  Noucelles pièces gravées | 30 Avril 2011 Pour l'occasion de la biennale, 3 nouvelles pièces gravées dans la galerie:
| | Femme au dragon |
| | |  Mise à jour du site | 22 février 2011 J'ai transformé le site. Il évoluera encore un peu dans les 2 semaines à venir... |
|  Mandala | 22 février 2011 Mandala. Un autre mot pour voyage. Un voyage dans le monde, à l'intérieur de nous-mêmes, dans le temps et hors du temps. Le chaos ordonné, selon C. Trungpa.
Selon le principe du mandala, trait distinctif du bouddhisme tantrique, tous les phénomènes font partie d'une seule et même réalité. Que les expériences que nous faisons soient bonnes ou mauvaises, heureuses ou tristes, claires ou obscures, elles s'inscrivent toutes dans une même totalité et la reflètent. Comme l'explique Chögyam Trungpa, selon la perspective du mandala, l'existence est un chaos ordonné. Le chaos et la confusion se produisent parce que les choses surgissent d'elles-mêmes, sans principe externe qui vienne y mettre de l'ordre ; en même temps, tout ce qui surgit est une expression d'ordre et d'intelligence, d'énergie éveillée et de précision. Les pratiques méditatives associées au principe du mandala nous font découvrir que les pôles de notre expérience - confusion et éveil, chaos et ordre, douleur et plaisir - ne sont que des éléments inséparables d'une vision totale de la réalité. |
|  Workshop will be opened one day more | December 5th 2010 Due to snow last week, the workshop will be open next wednesday, 11h-19h. |
|   Stone wall plate// October 24th, 2010 / / Rather than placing painting on the wall, why not use stone plates, carved, sculpted. The natural color, the bright, dull, nuances, all change over day light. Very rich in shapes, colors, shades, these works are changing the tone in a house, and fit perfectly. From celtic patterns collected at the British Museum to abstract forms, I decline my favorite topics on this format. You can see them in the gallery. carte 2 |
|   Un paysage est une etat d'ame - "A landscape is a state of mind."/ / October 17, 2010 / / Writing words on landscapes creates meaning, forms, games etc. But beyond that, we contact this basic experience that we all did: a rainy day, Grey ... we feel blusy A sunny day, heat ... joy is easier ... really? I tried to explore the emotional states. On rice paper, ink. A series of small landscapes stars. The series is entitled "A landscape is a state of mind." Un autre chemin 1 |
|   Lao-tseu - Un autre chemin (an other way) October 4th 2010 Dao de Jing - Lao-tseu Sometimes a nice book to re-open. I decided to use the text as a graphical medium. Plans, lines, curved or shaped lines, symbols, characters... all these items are playing together, creating a very strong drawing, laquer on canvas. I dispay the full chapter 64, with chinise spelling, and my own version of the translation, this to fit my own understanding of this philosophy, and also to play with the length of sentences, and graphical position of words. Un autre chemin 1 |
|   Rice paper and calligraphy/ / September 27th, 2010 / / Mongolian calligraphy inspired me this summer. So many years of my experiences, techniques, inspirations converged to a new way, a new opportunity to write or draw. From there I created pieces: black and red ink, gold leaf or dust, on rice paper. Intense work, one part very dynamic, driven by water and ink transformation to capture the emotion, the instant, an other very slow and static, for the texts. 4 are shown in the painting gallery. Rice paper, calligraphy |
|  Message au loin - Pioneer Plaque explained/ / September 24th, 2010 / / After some questions about the meaning of the screen "Message au loin", I display here a copy of explainations from NASA. NASA - Pioneer X Plaque |
|  Re-Composition 1/ / September 22nd, 2010 / / Re-composition is the title of a new series. Built from forms of growing dimensions; it is a collection of geometrical parts, leading to the re-composition of the canvas. On another way, is also staging the evolution of a form, maybe of emotional forms. There are (so?) contradictions there. For exemple, the square is closed by the rectangle (red), but the triangle is open. Depending on the variations, directions are changed, form are transformed, and other symbolic messages are grafted. These paintings mostly use lacquer and gold leaf. We can find oil, other metals, reliefs, ...
Re-Composition 1 The first canvas. It is based on the formal construction. The gold and shades in the dark amplify depth. Re-Composition 2 Another variation, different atmosphere. Contours are more blurred, and a strong opposition is set up: surface vs area. 3 Re-Composition Other changes, other senses. And this time with a message. I used a text of Gandhi; one part is placed as an enigma. Can you solve it? But the real question is: Should it be resolved? ... To see in the sculpture gallery. |
|  Laquer/ Septembre 20th, 2010 // Il existe 6 types de laques.
- Laque végétale (traditionnellement: Rhus Vernicifera). Elles ont 4 couleurs possibles : Noir, rouge, jaune, vert
- Gomme laque : c'est une laque animale. Elle provient de la sécrétion des cochenilles, qui ont mangé de l'arbre à laque.
- Laque cellulosique
- Laque acrylique
- Laque glycérophtalique
- Laque polyuréthane
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|   Masks/ / September 12th, 2010 / / Venetian Mask, marble. This second piece, white veined marble, is an echo to the firstone, that was almost a black marble. A Venetian mask base, in his undecorated form, often expresses two faces. The left and right part are substantially different. In the sculptures, I amplified this by placing them on a curved axis. The first mask was a form of parenthesis-open. The second is a form of parenthesis-close. Because a mask is also a parenthesis from life. |
|   Special stones/ / September 3rd, 2010 / / My stone works are always inspired by the stone itself: its forms, colors, textures. I always looked for special stones. For example, I enjoy Carrara marble with lot of colors, lines... I decided to pursue this path of sublimation of matter, through exceptional stones, although they may be rare. First step was my research of unusual coloured stones, such Tavel stone including red, orange ... while they are usualy known to be only white / beige and gray / blue. I now work also intrinsically beautiful stones, such as Jasper, Fossilized Wood, associations Marble + Pyrite, Fluorite, etc. ... Obviously, the work is much more difficult, sometimes almost crazy ... but I love it. And the results are ... stuning. |
|   Pierrechemin/ / August 26th, 2010 / / "Pierrechemins" The "pierrechemins" are scrolls of stone. Carved on the scroll are words, symbols, objects. Somehow parchment, because they carry some writing (carving), somehow stone, because they are real sculptures, displaying two parchment rolls and the scroll. These are sculpture, calligraphy, symbols, decorative elements. All of my favorite subjects converge in these parts.
Pierrechemin "Accents Tibetain" : an original calligraphy made from strains of the Tibetan alphabet. This pattern appears over my work. We see here something about air ... a bird? This part is a Tavel stone.
Pierrechemin "Temps" , a parchment that defies time ... Tavel stone, and gold leaf. A few pink lines on the stone, which reinforces the timeless message.
Pierrechemin "Vie" , the word Vie (life) engraved on a marble of Morocco. Grained, multicolored, shiny and amazing. An exceptional stone, which bears the word with all purity. To see in the sculpture gallery. |
|   Tavel stone/ / July 23, 2010 / / Pierre Tavel Nature: limestone Found in Tavel, in the Gard, it is usually cream-beige, or gray-blue, or blue. Exceptionally, orange, pink and purple colors can be found. Do not support the freeze Density: 2437kg/m3 Dust is very sticky, not to breathe. |
| Beige |
| Gray |
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| Beige, orange, pink |
| Pink |
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|  Screen | July 11th, 2010 Four 180x150cms screens are visible in the painting gallery. They are made of three wooden panels. 180cm high, 150 cms wide (3 panels 50 cm wide). Except for one a little lower, which is 160 cms tall. They are made with my usual techniques of lacquer and gold leaf. | | Screen |
|  Arwards at fairs | May 31st, 2010 Some works have won awards at the last 2 events: Salon Vif: Price of the Conseil general (for Egypt inspiration). Salon St Genies de Malgoires: first prize for sculpture (for Tavel bust). |
|  Studies | March 29th, 2010 I opened a tab "Study" to display articles about : construction steps, art pieces anaysis and "a posteriori" studies. |
|   Tavel stone March 15th, 2010 Tavel stone : very soft, overly soft. But beautiful. Blocks of white, beige, blue, red ... and sometimes with all colors in the same block. See the 2 first sculptures in the gallery. |
|  Resonance | March 13th, 2010 "Resonance" is the name of a series of paintings 2009-present. A canvas contains the axes. At the most basic we have diagonals, up or down. These lines symbolize, in this series, the evolution of our emotions. From the small inner light to the great fear, from fury to the inner wisdom, our emotions are in constant evolution. I try to cross them, touch them, and translate. |
|  entre ciel et terre | March 13th, 2010 "Between Heaven and Earth" is the name of a series of paintings 2007-2009. At the beginning they were abstract shapes on canvas 100x50 vertical. The low rounded from and the top rectangular one, and between forms mixing, separating, contradicting each other, complementing each other. The form has evolved, the shapes are connected, a calligraphy came hidden. Finally, a vertical axis linked the shape of the bottom and top, chinese calligraphy of the word emperor, who made the connection between heaven, earth and humankind. |
|   From Egypt to Pioneer February 26th, 2010 Writing and drawing always allowed us to pass messages. To the others, but also to the gods, to the afterlife (some Egyptians), and now (finally, in 1972!) Space via the Pioneer plaque in X (and XI). Produced by Carl Sagan, Frank Drake and Linda Sagan, this plate is information about the position of the earth and human beings. It is now adrift in space in the body of 2 satellites, Pioneer X and XI. Following my work on Egypt, hieroglyphics and symbolism, and other civilizations, this plaque is getting into my work, as another "symbol" of the symbolic. The result will be visible in the exhibitions of April. NASA - Pioneer X plaque explanations |
| |  Sentences | // January 18th, 2010 / 2 sentences I liked these days: Paul Standard: "Art begins where geometry ends ..." This is calligraphy comment. But I take it beyond. Pierre Soulages, 1953: "That's what I'm doing that tells me what I want." |
|  |   Resonance interieure, Le Cri August 23, 2009 2 major canvases, mixing all technics I know today: lacquer, gold, silver, raised pattern, dust, superficial texture, dull and bright ... |
|   Pi, Phi, ... August 23, 2009 Several paintings, based on pure mathematics, are completed. To place in modern scene... Where eyes plunge into elusive convergences... |
|  Medieval festivals de Montfort July 5, 2009 Carving during medieval festivals. Video here. |
|  Spheres April 24, 2009 2 spheres, 21cms diameter, are completed. Carved the "old way": by cutting successive flat surfaces, from a cube. Mathematically, going from square to circle, this turns around: d = r * tan a / 2 ... |
|  Pi... February 6, 2009 My stone carvings are inspired by symbols, but also by the construction rules. The sizes, positions, proportions are not defined by chance, but by mathematical rules. The absolute approach is to work directly on the numbers, their digits, their harmony. Here the first 10 digits of Pi, built with various organizations. Imagine my surprise when a friend said to me to look at Francois Morellet' work. Indeed, I didn't know. It's amazing, I'm reproducing part of his journey ... So my approach will be enriched... And evolve more ... |
|   Emperor December 28, 2008 The emperor is standing up ... Heaven and earth, human, finally connected. This bright red paintings collection completed his message. End of a reign? Perhaps the end of this series? New forms already appearing |
|  About defects December 27, 2008 I have seen exceptional artists curve perfect balls, stone, 1, 2, 10, 100 ... Incredible. Then take them back, and add... a defect! My approach also tended to perfection. But will never reach it. When I see I'm doing a defect, sometimes I keep it ... They are indispensable. For sure, they answer the question: "Has this been done by a machine or a human being?". But much more! The default is random. Every creation is born of a desire combined with a chance. No, I did not want to do this as this is exactly ... Defect, it's life, it's work, it's life at work. It should not be denied, it should not be created. It happens ... and is accepted. |
|  Agate ? November 13th, 2008 A new test: the cutting of agate. Good and bad news: against all odds, it is feasible. Very slow, very accurate ... The carbide must be very sharp. The bad news: for a drawing of 15x15cm, I destroyed a diamond, and a few millimeters of carbide ... Hardness 6.7 to 7 ... To be continued ... |
|   Fibonacci September 9, 2008 It disappeared from the site ... Back here. |
|   About Triskell September 9, 2008 Following some questions, a quick summary about Triskell here. |
|   Triangle de Cheops August 13th, 2008 Why this triangle is based on 11 and 14? (440 basis for 280 high). Its construction is based on the pentagon and 11; 14 are found in the Fibonacci sequence. This triangle is used as "support" of the canvas « Oudjat, complet par Thot ». Construction here. |
|   Oudjat, complet par Thot August 2, 2008 Egyptian gods confirm their attendance in the workshop; now in painting. Mathematics, fractions, Oudjat: here. |
|   Etant donne le carre, le cercle: l'humain July 31, 2008 In homage to M. Duchamp, L. Vinci, M. Vitruvius. A Painting in Black, Red, Gold, as directed by Vitruvius, interpreted by Leonardo. Construction, here.
corpus enim hominis ita natura composuit uti os capitis a mento ad frontem summam et radices imas capilli esset decimae partis, item manus palma ab articulo ad extremum medium digitum tantundem, caput a mento summo pectore ad imas radices capillorum sextae, <a medio pectore>ad summum uerticem quartae. ipsius autem oris altitudinis tertia est pars ab imo mento ad imas nares, nasus ab imis naribus ad finem medio superciliorum tantundem, ab ea fine ad imas radices capilli frons efficitur item tertiae partis. pes uero altitudinis corporis sextae, cubitus quartae, pectus item quartae. reliqua quoque membra suas habent commensus proportiones, quibus etiam antiqui pictores et statuarii nobiles usi magnas et infinitas laudes sunt adsecuti.
similiter uero sacrarum aedium membra ad uniuersam totius magnitudinis summam ex partibus singulis conuenientissimum debent habere commensus responsum. item corporis centrum medium naturaliter est umbilicus. inamque si homo conlocatus fuerit supinus manibus et pedibus pansis circinique conlocatum centrum in umbilico eius, circumagendo rotundationem utrarumque manuum et pedum digiti linea tangentur. non minus quemadmodum schema rotundationis in corpore efficitur, item quadrata designatio in eo inuenietur. nam si a pedibus imis ad summum caput mensum erit eaque mensura relata fuerit ad manus pansas, inuenietur eadem latitudo uti altitudo, quemadmodum areae quae ad normam sunt quadratae. |
|  Shape construction | July 14, 2008 Carving a symbol is beautiful, but you need to draw precisely and quickly. With ruler and compass, on surfaces not always flat, you must know a few methods... |
| July 14th, 2008 Pentagon construction - 1 |
| July 14th, 2008 Pentagon construction - 2 |
|   Yin-Yang 3 elements February 25, 2007 Between Yin-Yang and Triskell, Yin Yang-3 elements are often found. The drawing "without thickness" is not necessarily immediate and may take several trials before finding the right size. When it comes to carving, a line is having a thickness. The question is to find the radii of the circles with minimum trials. Calculations done for a carved stone are given here. Demonstration and equation. It works, but you need a ruler and a simple calculation. Perhaps soon a totally graphical way? Meanwhile, these formulas allow accurate drawing at the first time. |
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